| 2017 - Present | CHERRY TREES - IRUPÉS | Every night, the water lily closes its petals over the wounds, only to open them again when the moon rises on the horizon. |
| 2010 - 2017 | METAMORPHOSIS | They are transformations, mutations. It is intensity, multiplicity, receptivity, creativity. |
| 2004 - 2010 | BEDS | Drawings painted, paintings drawn. Figurative abstractions and vice versa. Pure white. |
| 2000 - 2004 | ART MARKET | In 2004, the exhibition "Art Market" takes place at the Galería Ecléctica and later, also curated by Patricia Rizzo, at the Zona en proyecto industrial space. |
| 1999 - 2000 | POSTCARDS II | A subworld inside me, impossible to intervene. I wonder if an ingenuous and distracted magical thought was involved. |
| 1997 - 1999 | POSTCARDS I | Dramatic expressionism. It is death, love, emergence, and disappearance. Neutral colors, textured-torn surfaces. And the appropriation of consumer materials. |
| TEACHING | I became a teacher before starting the Fine Arts school. In those beginnings, I worked in formal and non-formal institutions, at early childhood, primary, secondary, and third age levels. Also in the workshops of many of my teachers. |
| NUSHU | We researched natural dyes, boiled onions, avocados, potions. The freedom to paint those fabrics, loose, soft, spread out fabrics. Without the pressure of the work itself, without time. |
| POTTERY | Pottery, a parallel activity. Linked to the craft, to the earth, to the fire. Providing food, the containing bowl, kneading. Zen. A thoughtless thought, a thought from intuition. |
KARIN SHAMMAH